Indian Monuments

Buland Darwaza

Buland Darwaza or the loft gateway was built by the great Mughal emperor, Akbar in 1601 A.D. at Fatehpur Sikri. Akbar built the Buland Darwaza to commemorate his victory over Gujarat. The Buland Darwaza is approached by 42 steps. The Buland Darwaza is 53.63m high and 35 meters wide. Buland Darwaza is the highest gateway in the world and an astounding example of the Mughal architecture. The Buland Darwaza or the magnificence gateway is made of red and buff sandstone, decorated by carving and inlaying of white and black marble. An inscription on the central face of the Buland Darwaza throws light on Akbar's religious broad mindedness.

The Buland Darwaza towers above the courtyard of the mosque. The Buland Darwaza is semi octagonal in plan and is topped by pillars and chhatris. Buland Darwaza echoes early Mughal design with simple ornamentation, carved verses from the Koran and towering arches. There are thirteen smaller domed kiosks on the roof, stylized battlement and small turrets and inlay work of white and black marble. On the outside a long flight of steps sweeps down the hill giving the gateway additional height. A Persian inscription on eastern arch way of the Buland Darwaza records Akbar's conquest over Deccan in 1601 A.D.

Char Minar

The Charminar in Hyderabad was constructed in 1591 by Mohammed Quli Qutab Shah. He built the Charminar to mark the end of plague in the Hyderabad city. Since the construction of the Charminar, the Hyderabad city has almost become synonymous with the monument. The Charminar is a massive and impressive structure with four minarets. In the evening, with illumination, the great Charminar looks even greater. With the passage of time the Charminar occupied so much importance that it became the heart of all bustling activities. It is in the bustling bazaars around the Charminar that you find the traditional nahari stalls and kulchas of Hyderabad. Hyderabad is one of those few cities, which have a fine blend of modernity and tradition.

The Charminar has four imposing arches, which face the four main directions. A row of small vaulted niches ornament each of the four arches. The Char Minar is a two-storied building with the first floor being covered. The balconies on this floor provide a great view of the surrounding areas. A small mosque adorns the top floor of the Charminar. This mosque is situated on the western side of the Charminar facing Mecca, the holy city of the Muslims. This mosque is said to be the oldest surviving mosque in Hyderabad city. Charminar, the hub of Hyderabad city, has four wide roads going in each direction. The Charminar is square in shape, each side measuring 100 feet, with a central pointed high arch at the center.

The four minarets of the Charminar dominate the landscape of the region. The minarets, their domed finials rising from their lotus-leaves cushion, rise to 180 feet from the ground. The whole structure contains various small and ornamental arches arranged in vertical and horizontal fashion. The cornice on the first floor upholds a series of six arches and capitals on each portico, rising to the double-story gallery of the minarets. The projected canopy, decorative brackets and decoration in stucco plaster add graceful elegance to the Charminar. On the upper courtyard, a screen of arches topped by a row of square jalis or water screens provides a delicate charm to the muscular look of the Charminar.

Gateway of India

One of the grand and magnificent landmarks of Mumbai, the Gateway of India was built to commemorate the visit of the British Monarch, King George V and Queen Mary. The Gateway of India is one of the hot spots of Mumbai city. The Gateway of India is a massive archway on the Apollo Bunder. For most of the tourists and travelers, the Gateway of India is the starting point to explore the Mumbai city. The Gateway of India was designed by the architect George Wittet. The first stone of the Gateway of India was laid on March 31st 1913. The foundations were completed in 1920 and the Gateway of India was formally opened in 1924 by the then Viceroy, Earl of Reading.

Built in the Indo-Saracenic style, the Gateway of India is a 26m high structure with four turrets and complicated lattice work engraved into the yellow Kharodi basalt stone. The central dome of the Gateway of India is 48 feet in diameter. It is interesting to note that the whole harbor front was realigned in order to come in line with a planned walkway, sweeping down to the centre of the town. The total cost of construction of the Gateway was approx. Rs. 21 lakhs. The Gateway of India is a major sightseeing hangout in Mumbai. At the back of the Gateway arch, steps lead down to the sea front. From here one can enjoy cruise through Mumbai's fabulous natural harbor. The nearby statues of Shivaji and Swami Vivekananda add charm to the massive structure, the Gateway of India

Hampi

Hampi was the capital of Vijayanagar Empire, the last great Hindu Kingdom. Under the Vijayanagar rulers Hampi grew fabulously. The princes of Vijayanagar built numerous Dravidian temples and palaces. The records of foreign travelers between 14th and 16th century bear testimony to the grandeur of Hampi. However the magnificent capital of Vijayanagar was destroyed by the Deccan Muslim league in 1565. Hampi is a village in northern Karnataka, India. It marks the ruins of Vijayanagar, the former capital of the Vijayanagar Empire. The Hampi village also houses the well-known Virupaksha temple.

Hampi contains several monuments belonging to the erstwhile capital city. The Hampi ruins are a UNESCO World Heritage Site. Hampi is also identified with the legendary Kishkindha, the monkey kingdom mentioned in the Ramayana. The rulers of Vijayanagar chose Hampi as their capital because of its strategic location. Hampi was bounded by the Tungabhadra River on one side and granite cliffs on the other three sides. The ruins at Hampi bear testimony to the patronage of the Vijayanagar rulers to art and architecture. Excavations at Hampi have unearthed beautiful temples, one of them underground and also the ruins of once splendid palaces and gateways.

Humayun's Tomb

After wandering in wilderness for 25 years, Humayun reoccupied Delhi in the year 1555 AD but he was not destined to rule any longer and died barely six months of his arrival, from a fall in his library, Sher Mandal. Humayun's tomb was built by his widow, Hajji Begum around 1565 AD. The Taj Mahal and many other Mughal buildings are said to have been inspired from Humayun's tomb. Humayun's tomb is one of the world heritage sites. The tomb of Humayun is based on Islamic paradise gardens. This type of garden is known as a Charbagh and is based on a grid system. The square garden is divided into four large squares and separated by causeways and channels with each square again divided into smaller squares.

Humayun's tomb is remarkable in many ways. Humayun's tomb is the first Indian building to use the Persian double dome; it is noteworthy for its harmonious proportions. Like many later Mughal tombs, Humayun's tomb is set upon a platform. Humayun's tomb is built with red sandstone, but white and black marble have also been used to relieve the monotony in the structure. The lofty mausoleum is positioned at the centre of the enclosure and rises from a plinth faced with series of cells with arched openings. The central octagonal chamber of Humayun's tomb, containing the cenotaph is encompassed by octagonal chambers at the diagonals and arched lobbies on the sides and their openings closed with perforated screens.

Each of the sides of the monument is dominated by three emphatic arches with the central one being the highest. The same plan is repeated on the second storey and a 42.5m high double dome of marble surmounts the roof with "Chhatris" (pillared kiosks) placed around it. Some of the apparent Indian features in the monument are the small kiosks or chhatris on the roof. Humayun's tomb is also remarkable for its inlaid tile work and carving, representing both Indian and Persian decorative elements. Humayun's tomb was designed by the Persian architect, Mirza Ghyas. In addition to the remains of Humayun, the complex also houses the grave of many other distinguished members of the Mughal dynasty.

India Gate

India Gate, situated on the Raj Path in New Delhi, was built to memorialize the 70,000 Indian soldiers who lost their lives during the First World War, fighting for the British army. The India Gate also bears the name of 13,516 British and Indian soldiers killed during the third Afghanistan war, 1919. The foundation stone of India Gate was laid down by the Duke of Connaught in the year 1921 and was designed by the famous British architect, Edward Lutyens. It was Lord Irwin who dedicated India Gate to the nation in 1931. Later, another memorial, Amar Jawan Jyoti or the eternal soldier's flame was added to the monument. The Amar Jawan Jyoti is burning since 1971 to remind the nation of soldiers who laid down their lives in the Indo-Pakistan war of 1971.

The India Gate is 42 m tall and the entire arch stands on a low base of red stone and rises in stages to a huge molding. From the base of the arch of India Gate one can have a magnificent view of the Rashterapati Bhavan (the President's house). At the top of India Gate, on both sides is inscribed INDIA. There is a vast expanse of lush green lawns surrounding the India Gate. India Gate is certainly one of the most visited spots of Delhi. The lawns of India Gate bustle with people, particularly during summer evenings. The lawns of India Gate house the famous boat club and a children's park. It lends more beauty to India Gate.

Qutub Minar

Qutub Minar is the highest stone tower in India. The construction of the Qutub Minar was started by Qutub-ud-Din Aibak in 1199 and it was finished by his successor and son-in-law, Iltutmish. The Qutub Minar was named after the Sufi saint, Khwaja Qutubuddin Bakhtiyar Kaki. Though the exact purpose of the Qutb Minar is not known but it is believed that it served as a minaret to the adjoining mosque and was used by the muezzins to call the faithful to prayer.

Qutub Minar was built in red and buff sandstone and covered with intricate carvings and verses from the holy Quran. All the five storeys of Qutub Minar are surrounded by a projected balcony and supported by stone brackets, which are decorated with honeycomb designs. The Qutub Minar is 72.5 meters high and one has 379 steps. The diameter of the base of the Qutub Minar is 14.3 meters while the top floor's diameter measures 2.7 meters.

There are numerous inscriptions on the Qutub Minar. These inscriptions are in Arabic and Nagari characters. According to one inscription, the Qutub Minar was repaired by Firoz Shah Tughlaq (AD 1351-88), the Tughlaq ruler of the Delhi Sultanate. Sikandar Lodi (AD 1489-1517) also got the Qutub Minar repaired. Another repair work was undertaken by Major R. Smith in 1829. The Qutub Minar was built on the ruins of Lal Kot, the Red Citadel in the city of Dhillika, the capital of the Tomar and Chauhana Rajputs, the last Hindu rulers of Delhi.

In the Qutub Minar complex, there are many other remarkable buildings and structures, including the Quwwat-ul-Islam mosque. The Quwwat-ul-Islam mosque was the first mosque built in India. It was built by Qutub-ud-din Aybak using materials of 27 Jain and Hindu temples. There is also the famous Alai Darwaza at the entrance of the Quwwat-ul-Islam mosque. It was built by Ala-ud-din Khalji. To the west of the Quwwat-ul-Islam mosque is the tomb of Iltutmish. Close to the mosque is the Iron pillar, one of Delhi's most curious structures. It is said to be erected in the 4th century AD by the Gupta King, Chandragupta II (375-413).

Sanchi Stupa

Sanchi is famous for outstanding specimen of Buddhist art and architecture, belonging to the period between the third century BC and the twelfth century AD. The most important of all the Sanchi monuments is the Sanchi Stupa. Stupas are large hemispherical domes, containing a central chamber, in which the relics of the Buddha were placed. The Sanchi Stupa is one of the best preserved early stupas in central India. The Sanchi Stupa is surrounded by a railing with four carved gateways facing all the four directions.

During the Shunga period the Sanchi Stupa was enlarged and faced with stones and decorated with railings, staircase and a harmika on the top. Around the main Stupa, there is a path for circumambulation. This path is enclosed by a railing with gates at each of the four directions. The railings and gates of the Sanchi Stupa are richly sculptured with different motifs and designs. Another interesting characteristic about the Sanchi Stupa is that Lord Buddha has been symbolically represented by footprints, wheels, thrones etc rather than by his own image. The gateways of Sanchi stupas contain ornamented depiction of incidents from the life of the Buddha and his previous incarnations as Bodhisattvas described in the Jataka tales. The Buddha has been shown symbolically in the form of tree or through other inanimate figures.

The Stupa at Sanchi is one the most wonderful structures of ancient India. It has been included by the UNESCO as one of the heritage sites of the world. The Sanchi Stupa is a fine example of the development of the Buddhist architecture and sculpture beginning from the 3rd century B.C. to the 12th century A.D. The site of Sanchi was discovered in the year 1818 by General Taylor and an archaeological museum was established in 1919y Sir John Marshall.

Taj Mahal

Famous as one of the wonders, the Taj Mahal at Agra, India, is epitome of true love. Taj Mahal was built by the famous Mughal emperor Shah Jahan in the memory of his beloved wife, Mumtaj Mahal. The architectural beauty and magnificence of the Taj Mahal has never been surpassed. The Taj Mahal is said to be the most beautiful monument built by the Mughal rulers and it represents the zenith of the Mughal architecture. Built entirely of white marbles, the beauty of the Taj Mahal is beyond description. The beauty of the Taj Mahal has been aptly summarized by the famous English poet, Sir Edwin Arnold, as "Not a piece of architecture, as other buildings are, but the proud passions of an emperor's love wrought in living stones."

The Mughal emperor, Shah Jahan married Arjumand Banu Begam, better known by the name Mumtaj Mahal, in the year 1612 AD. Mumtaj Mahal was Shah Jahan's second wife. After their marriage, Mumtaj Mahal became her husband's comrade and counselor. Mumtaj Mahal became an inseparable companion of Shah Jahan on all his journeys and military expeditions and an inspiration behind Shah Jahan's acts of charity and benevolence. In the year 1631 the cruel hands of destiny snatched Mumtaj Mahal from Shah Jahan. To immortalize the memory of Mumtaj Mahal, Shah Jahan decided to build a monument of eternal love. This monument of eternal love is none other than the spectacular and magnificence Taj Mahal.

A beautiful location on the banks of the river Yamuna was chosen and the foundation of the Taj Mahal was laid down. The master architect of the Taj Mahal was Ustad Isa. He was one of the most renowned Islamic architects of his time. Taj Mahal, the much-celebrated saga of royal love was brought to life by competent and skilled artisans from places like Delhi, Kannauj, Lahore, Multan, Baghdad, Shiraz and Bukhara. The construction work of the Taj Mahal began in 1631. More than 20,000 workmen, sculptors and master craftsmen worked painstakingly for 22 years to carve out the most famous symbol of eternal love, the Taj Mahal. The Taj Mahal was built entirely in white marbles and the material was brought in from all over India and central Asia. The Taj Mahal complex was finally completed in 1653 at a cost of 32 Million Rupees (approx USD 68000) on the banks of river Yamuna in Agra, the capital of the Mughal monarchs.

The Taj Mahal stands on a raised and square platform with its four corners shortened, forming an unequal octagon. Interlocking arabesque concept is the architectural design that has been used in the construction of the Taj Mahal. In this style each element stands on its own and perfectly integrates with the main structure. The central dome of the Taj Mahal is fifty-eight feet in diameter and rises to a height of 213 feet and is flanked by four subsidiary domed chambers. There are four graceful, slender minarets in the structure of the Taj Mahal. Each of these minarets is 162.5 feet each. Precious gems and stones were used for decoration and calligraphy purposes.

The main archway of the Taj Mahal is a wonder in itself. This archway is chiseled with passages from the Holy Quran and bold scroll work of flowery pattern. The Taj Mahal mausoleum is a part of a vast complex comprising of a main gateway, an elaborate garden, a mosque (to the left), a guest house (to the right), and several other palatial buildings. The Taj Mahal stands at the farthest end of the Taj Mahal complex, with the river Yamuna behind it. The large garden contains four reflecting pools dividing it at the center.

Victoria Memorial Hall

The Victoria Memorial was built to commemorate the peak of the British Empire in India. The Victoria Memorial, conceived by Lord Curzon, represents the architectural climax of Kolkata city. Lord Curzon, the then Viceroy specified its classical style but the actual plan of Victoria Memorial was laid down by the well-known architect, Sir William Emerson. The Victoria Memorial blends the best of the British and Mughal architecture. The Victoria Memorial hall was built with white Makrana marbles. The Prince of Wales laid the foundation stone of Victoria Memorial in 1906 and it was inaugurated in 1921 in memory of Queen Victoria. The Victoria Memorial is 338 by 228 feet and a height of 184 feet.

Today the Victoria Memorial Hall is a museum having an assortment of Victoria memorabilia, British Raj paintings and other displays. As night descends on Calcutta, the Victoria Memorial Hall is illuminated, giving it a fairy tale look. It is interesting to note that the Victoria Memorial was built without British government funds. The money required for the construction of the stately building, surrounded by beautiful gardens over 64 acres and costing more than 10 million was contributed by British Indian states and individuals who wanted favors with the British government. At the top of the Victoria Memorial is a sixteen foot tall bronze statue of victory, mounted on ball bearings. It rotates with wind.

At present the Victoria Memorial has notable collection of weapons, sculptors, paintings, maps, coins, stamps, artifacts, textiles etc. The Royal gallery in Victoria Memorial has portraits of the Queen and Prince Albert. There are numerous paintings, illustrating events from Victoria's life. Another remarkable peace in Victoria Memorial is a painting by the Russian artist Vasseli Verestchagin, portraying the state entry of the Prince of Wales in Jaipur in the year 1876. In the post independence period a new addition was made to the Victoria Memorial. It was the addition of the National leaders' gallery with the portraits and relics of the freedom fighters.
Ref : http://www.culturalindia.net/